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	<title>Carlos Fernández – Artist</title>
	<link>https://carlosfernandez.cr</link>
	<description>Carlos Fernández – Artist</description>
	<pubDate>Tue, 23 Sep 2025 18:58:11 +0000</pubDate>
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		<title>Landing Page</title>
				
		<link>https://carlosfernandez.cr/Landing-Page</link>

		<pubDate>Sun, 15 Sep 2019 13:40:41 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

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		<title>Algo de proximidad</title>
				
		<link>https://carlosfernandez.cr/Algo-de-proximidad</link>

		<pubDate>Mon, 18 Aug 2025 17:11:13 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

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Algo de proximidadArt consult, Panamá 2025


Algo de PROXIMIDAD es una exhibición que reúne dos aproximaciones estéticas&#38;nbsp; de una misma práctica, la de caminar entre el “monte” y observar lo que sembramos, recolectando fragmentos del entorno y de jardines.

Esta propuesta no solo habla de una cercanía práctica —entre el objeto de estudio y el objeto pintado— sino también simbólica. Pinto, literalmente, el monte o el jardín más inmediato al lugar donde vivo: lo local desde lo local. Esta proximidad también evoca la permanencia de nuestros vínculos con el entorno, con sus múltiples relaciones. Es una invitación a sentirnos cerca de lxs otrxs, de las otras especies, como quien desea hacerse amigo de las malezas.






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		<title>Compartir Montaña</title>
				
		<link>https://carlosfernandez.cr/Compartir-Montana</link>

		<pubDate>Tue, 23 Sep 2025 18:58:11 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

		<guid isPermaLink="true">https://carlosfernandez.cr/Compartir-Montana</guid>

		<description>&#38;nbsp;
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&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/84654120ab72a70f8b9eef9069082202527bdfec9616d6e68a97eaa4c76226ca/Compartir-Montana-Carlos-Fernandez-Dia2-48.jpg" data-mid="238575004" border="0"  src="https://freight.cargo.site/w/1000/i/84654120ab72a70f8b9eef9069082202527bdfec9616d6e68a97eaa4c76226ca/Compartir-Montana-Carlos-Fernandez-Dia2-48.jpg" /&#62;
Compartir Montaña.
La escuela art, San José, CR.
2025


El proyecto desarrollado en la comunidad de Pabellón de Santa Ana, al sur del Valle Central de Costa Rica, nace del deseo de crear encuentros en donde la infancia, la montaña y la comunidad puedan entrelazar dinámicas e imaginación. A partir de caminatas por el bosque, los niños —junto a sus familias e invitados— se convierten en exploradores de su propio territorio. La experiencia se transforma en una conversación íntima con el ecosistema: escuchan al bosque, lo interpretan, lo dibujan, lo imaginan. Este gesto aparentemente simple es, en esencia, un motor para&#38;nbsp; romper con la rigidez de los marcos educativos tradicionales, donde poco se contextualiza la educación al entorno inmediato. 

La presentación pública de los resultados fue más que una exposición: fue una celebración del vínculo humano con la montaña. Caminar por los senderos, encontrar cientos de hongos y detenerse ante los dibujos de animales fantásticos creados por los niños —producto de esas conversaciones con los árboles, las piedras, los insectos— fue una experiencia hermosa, delicada y poderosa. Este acto de detenernos a mirar lo que nos rodea, a través de los ojos de la infancia, no solo fomenta la imaginación, sino que activa el interés genuino de los niños por lo asombroso que resulta esta montaña llena de vida. En la pieza que crearon llamada casa-árbol,(ver figura 1) no estaban representando una casa de árbol tradicional, la observación era que en efecto el árbol es una casa para una gran cantidad de especies: hormigas, arañas, musgos, helechos, enredaderas, hongos. Lograr hablar de que en nuestra comunidad los árboles son casa de muchas especies es hablar de que el ecosistema local está sano.

Una de las herramientas conceptuales que atravesó esta experiencia fue el binomio fantástico, una noción desarrollada por Gianni Rodari en su obra Gramática de la fantasía. Rodari sostiene que al juntar dos palabras inesperadas —por ejemplo, “hongo” y “caballo”— se activa una chispa creativa que libera nuevas formas de pensar y narrar. Esta lógica de lo improbable es fundamental para generar dinámicas educativas que se salgan del molde tradicional, apostando por una pedagogía de lo sensible, lo poético, lo participativo.

El proyecto buscó justamente eso: activar una educación situada en el aquí y el ahora del territorio, reconociendo que el currículo convencional muchas veces ignora los saberes locales, especialmente en contextos donde conviven familias migrantes con trayectorias diversas. En este sentido, los talleres-caminata no solo sirvieron para “enseñar”, sino para compartir: cada historia contada, cada dibujo creado, cada diálogo con una hoja o un insecto fue una forma de aprendizaje horizontal.

Experiencias como esta durante la infancia recuerdan que aprender también sucede en el caminar, el imaginar, compartir y dibujar.

Fig 1

Dibujo colectivo “CASA-ÁRBOL”

&#60;img src="https://freight.cargo.site/t/original/i/b73e50b93bd0f4c5d88ec4b3ef98ae0ebb1831773f4374a0157fc50eecb8f395/embedded-14943c1d.png" width="354" height="246" style="width: 354px; height: 246px;"&#62;










</description>
		
	</item>
		
		
	<item>
		<title>Jollof Jollof</title>
				
		<link>https://carlosfernandez.cr/Jollof-Jollof</link>

		<pubDate>Thu, 07 Aug 2025 19:52:53 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

		<guid isPermaLink="true">https://carlosfernandez.cr/Jollof-Jollof</guid>

		<description>
&#60;img width="3490" height="3307" width_o="3490" height_o="3307" data-src="https://freight.cargo.site/t/original/i/6fba5df8ed0a1e9b75e5dd6c17afc5d0d86e20772e3d49e2e36ee9cbcf33e778/montaje-mio-aspdokapsodk.jpg" data-mid="236805651" border="0"  src="https://freight.cargo.site/w/1000/i/6fba5df8ed0a1e9b75e5dd6c17afc5d0d86e20772e3d49e2e36ee9cbcf33e778/montaje-mio-aspdokapsodk.jpg" /&#62;
&#60;img width="5673" height="4038" width_o="5673" height_o="4038" data-src="https://freight.cargo.site/t/original/i/f6ecff832a504b1de2519500d8825b18d33da2a19d3f205bf85727b053671040/REUNIONSATIS-4.jpg" data-mid="236805653" border="0"  src="https://freight.cargo.site/w/1000/i/f6ecff832a504b1de2519500d8825b18d33da2a19d3f205bf85727b053671040/REUNIONSATIS-4.jpg" /&#62;
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&#60;img width="6245" height="4163" width_o="6245" height_o="4163" data-src="https://freight.cargo.site/t/original/i/48ac3ebd275ee125ecd1c60316e96c400f70e40f6545f125487320dc97b70cd9/REUNIONSATIS-10.jpg" data-mid="236805654" border="0"  src="https://freight.cargo.site/w/1000/i/48ac3ebd275ee125ecd1c60316e96c400f70e40f6545f125487320dc97b70cd9/REUNIONSATIS-10.jpg" /&#62;
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JOLLOF JOLLOF
JJ es un proyecto que continúa con las prácticas colectivas de cocinar.&#38;nbsp; Para esta ocasión, se presenta una instalación en donde converge un mural descriptivo de la planta de arroz así como ilustraciones de diferentes partes del proceso del cultivo y cocción del arroz, en la misma instalación presento un video de documentación de la receta del JOLLOF RICE, explicado por un taxista en la ciudad de Free Town, (con un grupo de personas de Sierra Leona,&#38;nbsp; intercambié recetas tradicionales de Costa Rica con recetas tradicionales de ellos)
La activación pública consistió en replicar esa receta que me explican en el video.

</description>
		
	</item>
		
		
	<item>
		<title>especies</title>
				
		<link>https://carlosfernandez.cr/especies</link>

		<pubDate>Wed, 10 May 2023 22:19:00 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

		<guid isPermaLink="true">https://carlosfernandez.cr/especies</guid>

		<description>
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&#60;img width="1900" height="1743" width_o="1900" height_o="1743" data-src="https://freight.cargo.site/t/original/i/a44e41eaadc3c6a5352ab87e7acc7e048acb8a05b93a231776f46f40fe23500d/hjojassss.jpg" data-mid="178396589" border="0"  src="https://freight.cargo.site/w/1000/i/a44e41eaadc3c6a5352ab87e7acc7e048acb8a05b93a231776f46f40fe23500d/hjojassss.jpg" /&#62;
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&#60;img width="1900" height="1743" width_o="1900" height_o="1743" data-src="https://freight.cargo.site/t/original/i/cf96dddf0c3e4c2173c89421ceb45cf830b43eba9aa71bca92071548ab345df9/pa-web.jpg" data-mid="217633436" border="0"  src="https://freight.cargo.site/w/1000/i/cf96dddf0c3e4c2173c89421ceb45cf830b43eba9aa71bca92071548ab345df9/pa-web.jpg" /&#62;
&#60;img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/8b86cfc4a0f7f4d4e5e0b8930de4fc119cb53d351e52a0b6970a222902c13322/Untitled-1.jpg" data-mid="178396140" border="0"  src="https://freight.cargo.site/w/1000/i/8b86cfc4a0f7f4d4e5e0b8930de4fc119cb53d351e52a0b6970a222902c13322/Untitled-1.jpg" /&#62;
&#60;img width="3027" height="2234" width_o="3027" height_o="2234" data-src="https://freight.cargo.site/t/original/i/65a92df39908081694213cb1ccfc5d9d14a4b887fe1600f11dec96d46ce9525c/limpia.jpg" data-mid="178396139" border="0"  src="https://freight.cargo.site/w/1000/i/65a92df39908081694213cb1ccfc5d9d14a4b887fe1600f11dec96d46ce9525c/limpia.jpg" /&#62;

Ritmos y especies

</description>
		
	</item>
		
		
	<item>
		<title>Sembrar, cocinar, rumbear JUNTOS.2 </title>
				
		<link>https://carlosfernandez.cr/Sembrar-cocinar-rumbear-JUNTOS-2</link>

		<pubDate>Tue, 23 Sep 2025 18:50:03 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

		<guid isPermaLink="true">https://carlosfernandez.cr/Sembrar-cocinar-rumbear-JUNTOS-2</guid>

		<description>






	


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Sembrar, cocinar, rumbear JUNTOS


Matanzas/ Cuba,&#38;nbsp; II Bienal Rios Intermitentes, Matanzas. Esta Bienal buscaba presentar proyectos que trabajaran puntualmente con la comunidad. En mi caso decidí trabajar en la comunidad de la Marina, que tiene gran historia con la Rumba, espacio Religioso Yoruba. Estar en este sitio es vivir la tradición, cultura viva, siempre se escucha alguna clave, una conga, cantos; la gente a veces cocina en la calle al fuego vivo el sancocho o ajiaco, aquí hay muchos niños que se me acercaron y de manera orgánica formaron parte directa de todo lo que hicimos en sitio, aportaron al mural de recetas, cocinaron, comieron, bailaron, sembraron. Mi proyecto se llama Sembrar-Cocinar-Rumbear juntos, haciendo homenaje al compartir como estrategia de ganar ganar, acá trajimos tierra que era el recurso que más se necesita cuando no hay suficiente area verde, o tierra donde cultivar, repartimos esta tierra con la ayuda de vecinxs para lxs vecinxs, sembramos plantas medicinales, y comestibles de la zona, apoyaron estudiantes de colegio, moviendo tierra, reproduciendo sus propias plantas medicinales de sus casas para que otras las cultiven. Mujeres que tienen grupos para convatir la violencia en la comunidad nos acompañaron, cocinaron, bailaron. Convictos que hacen obra social nos apoyaron. Músicos locales tocaron las congas, las claves y subieron todo con las melodías de la tradicional Rumba, bailamos juntos.


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	<item>
		<title>Interespecie</title>
				
		<link>https://carlosfernandez.cr/Interespecie</link>

		<pubDate>Fri, 06 Sep 2024 16:59:33 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

		<guid isPermaLink="true">https://carlosfernandez.cr/Interespecie</guid>

		<description>
&#60;img width="6000" height="3880" width_o="6000" height_o="3880" data-src="https://freight.cargo.site/t/original/i/525a786b4cd0629ca70f2617eeff315065ff9ecf090b194645094748449e5b59/insttlaksmnasd.jpg" data-mid="217633240" border="0"  src="https://freight.cargo.site/w/1000/i/525a786b4cd0629ca70f2617eeff315065ff9ecf090b194645094748449e5b59/insttlaksmnasd.jpg" /&#62;
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&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/18a0edbdf6439ffb81dfcdb9412e2ad000eb875b2574ae6d240a25602a60b970/dani5.jpg" data-mid="217631373" border="0"  src="https://freight.cargo.site/w/1000/i/18a0edbdf6439ffb81dfcdb9412e2ad000eb875b2574ae6d240a25602a60b970/dani5.jpg" /&#62;
Interespecie
Carlos Fernández
Teor Ética
2023

lnterespecie es una intervención en el jardín del espacio de arte Teor Etica, el proyecto resuena con la planta que habita en sitio: una “Bellísima” que es una planta perenne que atrae polinizadores. Para esta ocasión el proyecto consistió en crear posibilidades de hogares para pequeños insectos que son bienvenidos a recibir polen de plantas como la Bellísima a´si como una serie de plantas nativas que cultivamos para este espacio. Las pequeñas arquitecturas para insectos son de arcilla quemada al fuego y están mezcladas con las plantas o en la pared esperando ser habitadas.





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		<title>trazando vínculos #6</title>
				
		<link>https://carlosfernandez.cr/trazando-vinculos-6-1</link>

		<pubDate>Wed, 10 May 2023 22:15:47 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

		<guid isPermaLink="true">https://carlosfernandez.cr/trazando-vinculos-6-1</guid>

		<description>
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Trazando Vínculos&#38;nbsp;

Tracing the link, is a lesson, a monologue, a critical dinner, where everybody is involved in the process.

This participative dinner in a ritual which i have been maded sinse 2019 until the present, the course of the dinner in simple, depend of the place, or project the main topic changes, also the food, sometimes is about the capitalism,&#38;nbsp; the environmental impact, the co2 emissions, the history of that food that everybody will cook that night.

One of the purpose of this performance/dinner is to create a critical thinking&#38;nbsp; about the relationship that we made with the food that we eat.








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		<title>Pilares</title>
				
		<link>https://carlosfernandez.cr/Pilares</link>

		<pubDate>Mon, 30 May 2022 16:42:50 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

		<guid isPermaLink="true">https://carlosfernandez.cr/Pilares</guid>

		<description>
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&#60;img width="1080" height="908" width_o="1080" height_o="908" data-src="https://freight.cargo.site/t/original/i/717f9c72fb18894e119fe2af229a4c5d8e0fee9afd952be7ff39a63ad73ef938/5c844680-4716-42ed-88e3-04cf6b54eca3.jpg" data-mid="144073101" border="0"  src="https://freight.cargo.site/w/1000/i/717f9c72fb18894e119fe2af229a4c5d8e0fee9afd952be7ff39a63ad73ef938/5c844680-4716-42ed-88e3-04cf6b54eca3.jpg" /&#62;
Pilares
Carlos Fernández


Corn sculptures
Using the idea of the FAO about nutrition and enviroment pyramids must be together in order to have a healthy balance in the production of food mine wild developing good nutrition.
I whent to Santa Cruz, Guanacaste, where some families grow their crops in the traditional way whit out chemicals.Pilar means whats hold something, in this case, pilares are the one who hold the tradition and nutrition.





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		<title>Agrofilia</title>
				
		<link>https://carlosfernandez.cr/Agrofilia</link>

		<pubDate>Tue, 07 Sep 2021 11:20:25 +0000</pubDate>

		<dc:creator>Carlos Fernández – Artist</dc:creator>

		<guid isPermaLink="true">https://carlosfernandez.cr/Agrofilia</guid>

		<description>
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&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/452e1908d18391ec4ced73f7504a30ee1845d275a143b4dffdce9344f5215cd5/DSC04878.jpg" data-mid="118263269" border="0"  src="https://freight.cargo.site/w/1000/i/452e1908d18391ec4ced73f7504a30ee1845d275a143b4dffdce9344f5215cd5/DSC04878.jpg" /&#62;
Agrofilia
Carlos Fernández


Agrofilia is a love declaration, wrapped in obsession and fuelled by Carlos Fernandez’ love for agriculture and all the processes involved in this field of knowledge. The artist from Costa Rica presents an intimate portrait of this passion by bridging together these processes and playing with the different layers hidden in the act of “fieldwork”, a term commonly used within the geographic sciences to describe methods of investigation and analysis strategies which he employs to talk about the sometimes forgotten and often mundane agricultural labour.

The knowledge generated by the artist’s investigations are laid out in a layered rubric of metaphor, figures and relations which put the body in centre stage. The body is the basis of agricultural practices, but nowadays its development is ever more dependant on automatization and robotic instruments, able to carry out the work with astonishing precision. Though this may be good for production, it separates the body from the crop, the hand from the soil and the body, as a tool to explore space, from the field. 

The video “Agrofit” introduces the idea of the workout bringing it out of the gym and into the field. The performance not only seeks to include all of those involved, but also functions as an educational video. With his experience in teaching, Carlos is convinced of the importance of body training as a way of exercising the mind and labour as a playful but highly political way of developing posture. Care as a product of agricultural labour and a physical process that allows our bodies to resonate with our minds. An embodied practice that quite literally brings food to the table and feeds the mind.

The Drawing displayed, “Trazando Vínculos” or “Tracing Links”, are a synthesis of the different temporalities of this work. They embody the transition from fieldwork to nourishment, ending at the moment when food arrives to the table and becomes a social act. It is an exploration of the different experiences of these agents into one single perspective.

The work “Patrones” or “Patterns” explores the formal language of the crop field by abstracting form and colour to create kaleidoscopic versions of this reality. These backgrounds trace movement through every stroke and provide rhythm to the exhibition, while hovering above the background, we can identify the single figurative element of the series and what Carlos considers the most important element of agronomy- the Hat, his hat.
Violeta Burckhardt






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